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Above ground in Gordon Reserve, new arrivals gather in apprehensive huddles, prior to making their cautious descent into the upward trails of female voices. ‘Altogether striking and astounding...anything but quiet and understated... Deftly woven into the fabric of everyday Melbourne, disrupting the easy flow of city routine...startling and fascinating commuters and passersby...’ Jeff Kahn, RealTime No.64, Sydney, December 2004 ‘Across town, far from any gallery environment, a chorus of a thousand wordless angels... streams up out of the ground like a legion of mad souls fleeing their opened graves. David Chesworth and Sonia Leber's Gordon Assumption is the soundscape for a ferocious resurrection... Is the city disgorging its dead from the sewers?...Chesworth and Leber, like necromancers, wind up supernatural effects from the mundane fabric of the city... ‘ Edward Colless, 'Lucid Screams to Stir the Nation's Soul', The Australian, 25 October 2004 |
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